Count Basie – Basie Jam {Pablo} “Analogue Productions”


Review from ~cduniverse.com
This 1973 recording, the first of two Count Basie albums for the Fantasy label highlighting impromptu jam sessions, is something of a musical party. Heard here with longtime pals Eddie “Lockjaw” Davis, Harry “Sweets” Edison, and others, the Count performs a set of bluesy originals. Basie and company alight in a variety of musical dialogs-joyous and heartrending, playful and stalwart. As one might expect, each player rises to the occasion. And then some. There can be little doubt that Basie’s marvelous sensitivity as an accompanist catalyzes the fine soloing on this album. “One-Nighter” hints at least twice at how invigorating it can be to play with Basie. The first instance occurs when tenor-man Zoot Sims takes over from the organ, exacting a phrase of perfect, rounded beauty. A second occurs when Edison spreads a single recurring melodic figure across a full chorus, while Basie’s organ wheezes unobtrusively in the background. A soulful and foot-stomping album, “Basie Jam” accurately represents the late swing icon in his mature years.

Tracklist:
01. Doubling Blues (07:01)
02. Hanging Out (09:34)
03. Red Bank Blues (09:05)
04. One-Nighter (11:45)
05. Freeport Blues (11:44)

Personnel:
Count Basie – piano, organ
Irving Ashby – guitar
J.J. Johnson – trombone
Harry “Sweets” Edison – trumpet
Eddie Davis, Zoot Sims – tenor sax
Ray Brown – bass
Louie Bellson – drums

Recorded December 10, 1973

Label: Pablo – “Analogue Productions” Edition
Year: 1995
Genre: Jazz
Style: Mainstream, Blues
Total Time: 49:09

Quality: eac, flac, cue, log, scans (cover+inside+tray+CD)

Bill Evans with Philly Joe Jones – Green Dolphin Street {Riverside}[xrcd]


Review by Scott Yanow (allmusic.com)

This obscure Bill Evans trio set (with bassist Paul Chambers and drummer Philly Joe Jones) went unissued until the mid-’70s when the pianist decided that it was worth releasing as a fine example of bassist Chambers’ work. Very much a spontaneous set (recorded after the rhythm section made part of a record accompanying trumpeter Chet Baker), the group runs through a few standards such as “You and the Night and the Music,” “Green Dolphin Street,” and two versions of “Woody ‘N You.” Although lacking the magic of Evans’ regular bands, this CD reissue has its strong moments and the pianist’s fans will be interested in getting the early sampling of his work. A special bonus is the rare first take of “All of You” from the legendary Village Vanguard engagement by the 1961 Evans Trio (with bassist Scott LaFaro and drummer Paul Motian).

Tracks:
01 – You and the Night and the Music
02 – My Heart Stood Still
03 – Green Dolphin Street
04 – How am I to Know?
05 – Woody’n You (take 1)
06 – Woody’n You (take 2)
07 – Loose Bloose

Personnel:
Bill Evans – piano
Zoot Sims – tenor sax
Jim Hall – guitar
Paul Chambers, Ron Carter – bass
Philly Joe Jones – drums

Recorded at Reeves Sound Studios, New York City; January 19, 1959 (tracks: 1-6)
Recorded at Nola Penthouse Sound Studios, New York City; August 21, 1962 (track: 7)
Style: Cool, Post-Bop, Mainstream Jazz – Year: 1999

Quality: eac, flac, cue, log, scans

{re-uploaded}

Zoot Sims and The Gershwin Brothers {Pablo}[OJC]


Review by Scott Yanow (allmusic.com)

Along with his album with Count Basie (Basie and Zoot) during the same period, this is one of Sims’ most exciting recordings of his career. Greatly assisted by pianist Oscar Peterson, guitarist Joe Pass, bassist George Mraz, and drummer Grady Tate, he explores ten songs written by George and Ira Gershwin. Somehow the magic was definitely present and, whether it be stomps such as “The Man I Love,” “Lady Be Good,” and “I Got Rhythm” or warm ballads (including “I’ve Got a Crush on You” and “Embraceable You”), Zoot Sims is heard at the peak of his powers. A true gem.

Tracks:
01 – The Man I Love
02 – How Long has This Been Going On
03 – Lady Be Good
04 – I’ve Got a Crush on You
05 – I Got Rhythm
06 – Embraceable You
07 – ‘S Wonderful
08 – Someone to Watch Over Me
09 – Isn’t it a Pity
10 – Summertime
11 – They Can’t Take That Away from Me (bonus track)

Personnel:
Zoot Sims – tenor saxophone
Oscar Peterson – piano
Joe Pass – guitar
George Mraz – bass
Grady Tate – drums

Recorded at RCA Recording Studios, New York; June 6, 1975.

Quality: eac, flac, cue, log, artwork