Jimmy Smith & Wes Montgomery – Further Adventures of Jimmy & Wes {Verve} ”Japan”


Review by Richard S. Ginell (allmusic.com)

Further Adventures of Jimmy and Wes picks up where Dynamic Duo left off, digging a little further into the one-time-only Wes Montgomery/Jimmy Smith sessions and coming up with more fine music — mellower in general than Dynamic Duo but first-class nonetheless. Unlike most of the studio sessions from this time, Montgomery gets plenty of room for his single-string work as well as his famous octaves, and both techniques find him in full, mature bloom, needing fewer notes in which to say more (Smith, of course, is precisely the opposite). All but one of the tracks on the original LP find Smith and Montgomery interacting only with themselves, the drums of Grady Tate, and the congas of Ray Barretto; Roger Miller’s “King of the Road” (not often covered by jazzers) and Montgomery’s “O.G.D.” (later known as “Road Song”) come off best. Oliver Nelson’s big band makes a sole appearance with a swaggering chart of “Milestones.” Though Dynamic Duo is probably the priority purchase by a hairsbreadth margin, you’ll need to have both that album and Further Adventures eventually.

Tracks:
01 – King of the Road
02 – Maybe September
03 – OGD
04 – Call Me
05 – Milestones
06 – Mellow Mood

Personnel:
Jimmy Smith – organ
Wes Montgomery – guitar
Grady Tate – drums
Richard Davis – bass
Ray Barretto – percussion

Bob Ashton, Danny Bank, Jerry Dodgion, Jerome Richardson, Phil Woods – woodwinds
Jimmy Maxwell, Joe Newman, Ernie Royal, Clark Terry – trumpets
Jimmy Cleveland, Quentin Jackson, Melba Liston – trombones
Tony Studd – bass trombone

Recorded on September 21 and 28, 1966
Year: 2004

Quality: eac, flac, cue, log, artwork

{re-uploaded}

Freddie Hubbard – The Body & The Soul {impulse!} “Analogue Productions”


Review by Michael G. Nastos (allmusic.com)

At age 25, Freddie Hubbard made inroads into modern jazz most trumpeters could not imagine, much less come through with. As a soloist, one of Hubbard’s crowning achievements in his early period was this recording on which he teamed with Wayne Shorter, marginally as a performer but prominent in the role of arranger/conductor for his first time ever. Utilizing a septet, 16-piece big band, and orchestra plus stings to play concise, tight tunes, Shorter provides the backdrop to employ Hubbard’s bold toned trumpet and all of its devices in a full display of his powerful melodic talents. Yeoman Reggie Workman plays bass on all selections, with drummer Louis Hayes in the seven-piece combo, and great work from Philly Joe Jones in the larger bands. Interestingly enough, the three tracks with the smaller ensemble are the most interesting, due to the presence of Eric Dolphy, Curtis Fuller, Cedar Walton, and Shorter on the front line. “Clarence’s Place” is a post-bop jewel with spiky brass accents and Dolphy’s ribald and outre alto sax solo contrasting Shorter’s relatively reserved tenor, “Dedicated to You” is a wisp of a tune, while “Body & Soul,” an atypical choice for the opening selection, is a straight read of the classic ballad with a chart that sounds larger than the small horn section, and a wavering flute via Dolphy. The big band does an unusual soul-jazz treatment of the Brazilian number “Manha de Carnaval” flavored by Robert Northern’s French horn, while “Aries” is a hard bop show stopper with two-note accents buoying Hubbard’s great lyrical lines, and goes further into hard bop with “Thermo” as the horns demand attention with the trumpeter as an afterthought. The string section, ten pieces strong, joins the big band on the film noir type Duke Ellington piece “Chocolate Shake,” the stock “I Got It Bad,” and “Skylark,” with its soft clarion intro bubbling underneath with the violins, violas, and cellos. The manner in which this recording is programmed is thoughtful in that it lends to the diversity of the project, but is seamless from track to track. Dan Morgenstern’s hefty liner notes also explain the concept behind this ambitious project, one which did not compare to any of Hubbard’s other recordings in his career. Therefore it stands alone as one of the most unique productions in his substantive discography, and a quite credible initial go-round for Shorter as an orchestrator.

Tracks:
01 – Body and Soul
02 – Carnival (Manha de Carnaval)
03 – Chocolate Shake
04 – Dedicated to You
05 – Clarence’s Place
06 – Aries
07 – Skylark
08 – I Got it Bad and That A’int Good
09 – Thermo

Personnel:
Wayne Shorter – tenor sax (leader & arranger)
Freddie Hubbard – trumpet
Bob Northern, Julius Watkins – frenchorn
Cedar Walton – piano
Joe Jones – drums
Reggie Workman – bass
Melba Liston, Curtis Fuller – trombone
Jerome Richardson – baritone saxophone
Eric Dolphy – alto saxophone
etc.

Quality: eac, flac, cue, log, artwork