Duke Ellington Quartet – Duke’s Big Four {Pablo}[xrcd]

Review by Scott Yanow (allmusic.com)

One of Duke Ellington’s finest small group sessions from his final decade was this frequently exciting quartet date with guitarist Joe Pass, bassist Ray Brown and drummer Louie Bellson. Ellington’s percussive style always sounded modern and he comes up with consistently strong solos on such numbers as “Love You Madly,” “The Hawk Talks” and especially “Cotton Tail,” easily keeping up with his younger sidemen. Highly recommended.

01 – Cotton Tail
02 – The Blues
03 – The Hawk Talks
04 – Prelude to a Kiss
05 – Love You Madly
06 – Just Squeeze Me (But Don’t Tease Me)
07 – Everything But You

Duke Ellington – piano
Joe Pass – guitar
Ray Brown – bass
Louis Bellson – drums

Recorded in Los Angeles; January 8, 1973.

Quality: eac, flac, cue, log, artwork

Count Basie & Oscar Peterson – The Timekeepers {Pablo}[xrcd]

Review from cduniverse.com

The pairing of pianists Count Basie and Oscar Peterson might seem unlikely, given their stylistic differences. Basie’s notoriety resulted from his ability to say a lot with a little, while Peterson has been celebrated as a modern technical master, whose solos were full of riveting phrases, lines, and statements. Yet the duo made effective partners on this reissued 1978 session and often played against their reputations. Basie has several solos where he demonstrates impressive technique, while Peterson, often accused of overkill, shows he can utilize restraint and delicacy with as much flair as bombast and flash. ~ Ron Wynn
This classic 1978 recording pairs two stylistically dichotomous piano legends: Count Basie, the master of understatement, and Oscar Peterson, the partisan of power & embellishment. Also featured on this landmark session are drummer Louis Bellson & John Heard

01 – I’m Confessin’ (That I Love You)
02 – Soft Winds
03 – Rent Party
04 – Indiana
05 – Hey, Raymond
06 – After You’ve Gone
07 – That’s the One

Oscar Peterson – piano
Count Basie – piano
Louis Bellson – drums
John Heard – bass

Recorded at Group IV Studios, Hollywood; February 21 and 22, 1978.

Quality: eac, flac, cue, log, artwork

Louis Armstrong meets Oscar Peterson {Verve} “Silver Collection”

Review by Review by Michael G. Nastos (allmusic.com)

By 1957, hard bop was firmly established as the jazz of now, while pianist Oscar Peterson and his ensemble with bassist Ray Brown and guitarist Herb Ellis were making their own distinctive presence known as a true working band playing standards in the swing tradition. Louis Armstrong was more recognizable to the general public as a singer instead of the pioneering trumpet player we all know he was. But popularity contests being the trend, Armstrong’s newer fans wanted to hear him entertain them, so in retrospect it was probably a good move to feature his vocalizing on these tracks with Peterson’s band and guest drummer Louie Bellson sitting in. The standard form of Armstrong singing the lead lines, followed by playing his pithy and witty horn solos based on the melody secondarily, provides the basis for the format on this charming but predictable recording. What happens frequently is that Armstrong and Peterson play lovely ad lib vocal/piano duets at the outset of many tunes. They are all songs you likely know, with few upbeat numbers or obscure choices, and four extra tracks tacked onto the CD version past the original sessions. In fact, it is the familiarity of songs like the midtempo “Let’s Fall in Love,” with Armstrong’s gravelly and scat singing, and his marvelous ability to riff off of the basic songs that make these offerings endearing. A classic take of “Blues in the Night” is the showstopper, while choosing “Moon Song” is a good, off the beaten path pick as the trumpeter plays two solo choruses, and he leads out on his horn for once during the slightly bouncy, basic blues “I Was Doing All Right.” Some extremely slow tunes crop up on occasion, like “How Long Has This Been Going On?,” an atypically downtempo take of “Let’s Do It,” and “You Go to My Head,” featuring Peterson’s crystalline piano. Liner note author Leonard Feather opines that this is Armstrong’s first attempt at the latter tune, and compares it historically to Billie Holiday. There are the dependable swingers “Just One of Those Things,” “I Get a Kick Out of You,” and “Sweet Lorraine” with Peterson at his accompanying best; a ramped-up version of the usually downtrodden “Willow Weep for Me”; and a duet between Armstrong and Ellis on the sad two-minute ditty “There’s No You.” All in all, it’s difficult to critique or find any real fault with these sessions, though Peterson is subsumed by the presence of Armstrong, who, as Feather notes, really needs nobody’s help. That this was their only collaboration speaks volumes of how interactive and communal the session really was, aside from the music made being fairly precious.

01 – That Old Feeling
02 – Let’s Fall in Love
03 – I’ll Never Be the Same
04 – Blues in the Night
05 – How Long Has This Been Going On
06 – I Was Doing All Right
07 – What’s New
08 – Moon Song
09 – Just One of Those Things
10 – There’s No You
11 – You Go to My Head
12 – Sweet Lorraine
13 – I Get a Kick Out of You
14 – Makin’ Whoopee
15 – Willow Weep for Me
16 – Let’s Do It (Let’s Fall in Love)

Louis Armstrong – vocals, trumpet
Oscar Peterson – piano
Herb Ellis – guitar
Ray Brown – bass
Louis Bellson – drums

Tracks 1-12, stereo, recorded in Chicago; October 14, 1957
Tracks 13-16, mono, recorded in Los Angeles; July 31, 1957

Quality: eac, flac, cue, log, artwork

Count Basie & Oscar Peterson – Night Rider {Pablo}[OJC]

Review by Scott Yanow (allmusic.com)
When they first met up for a full album in 1974, the two-piano team of Count Basie and Oscar Peterson must have seemed like an unlikely matchup. After all, Peterson is known for filling up his rapid solos with virtuosic passages while Basie is the master of the “less-is-more” approach, making every note count. But because Peterson has such high respect for Basie, he showed great self-restraint and left room for Basie’s percussive solos. Night Rider, like their two previous joint albums, emphasizes the similarities rather than the differences in these two masters’ styles.

01. Night Rider (12:39)
02. Memories of You (04:57)
03. 9:20 Special (03:20)
04. Sweet Lorraine (07:08)
05. It’s a Wonderful World (03:21)
06. Blues for Pamela (08:07)

Count Basie – piano (organ on “Memories of You”)
Oscar Peterson – piano (electric piano on “Blues for Pamela”)
John Heard – bass
Louis Bellson – drums

Recorded at Group IV Studios, Hollywood; February 21-22, 1978.

Label: Pablo – OJC
Year: 1992
Genre: Jazz
Style: Standards, Piano Jazz
Total Time: 39:31

Quality: eac, flac, cue, log, artwork