Charlie Parker – Jam Session {Verve}


Review by “Jazzcat Stef” (amazon.com)

This is an absolutly marvellous example of what Jazz was and still should be (not because it’s more mainstream than bebop, in any case I love them both). The joy of playing with friends on common grounds, the standards and blues repertoire. I think I own everything Bird has ever played/released or at least I come really near. All the Dial, Savoy, Verve, Benedetti recordings, Bird’s Eyes, Live & Broadcasts, Blue Note concerts, recent discoveries, almost everything (more than 150 cds). This album cannot be considered a pure Bird album because he shared the scene with a lot of other sax stars which gave the session a different feeling from a lot of Bird’s records. I mean that this album is more Jazz “the Kansas City way” than bebop. It is a session more traditional than bebop. The only true beboppers are Bird, Kessel and Peterson (and Brown of course). The others, Webster, Hodges, Carter etc are more traditional than strictly bebop so the overall sound is more on that side of course. But it’s not a complaint, only an obvious consideration. The album is really fresh and entertaining, you can compar eit to a lot of JATP sessions in a sense. So it’s not a “revolutionary” album, not one that set a standard or that marked a change in Jazz history, nevertheless it’s essential in its way. It is a perect representation of what Jazz was more at Lester Young time than Bird time, but it’s very very good. It deserves 5 stars absolutly. Every player shined here and found his time to strecht out and show his bags of tricks fully. One of the highlights is the comping by Oscar Peterson swing machine which gave to the session a fabolous imprinting. The program is damn good. Two very long blues tunes, a very beautiful standard (“What is this thing” one of the standards I love the most) and a ballad medley. Fantastic! And even if Bird is playing more or less his usual cliches and nothing more, he’s still Bird! I love this album, for real. Buy it, you will love it for years and years too.

Tracks:
01 – Jam Blues
02 – What is This Thing Called Love
03 – Ballad Medley:
a) All the Things You Are
b) Dearly Beloved
c) The Nearness of You
d) I’ll Get By
e) Everything Happens to Me
f) The Man I Love
g) What’s New
h) Someone to Watch Over Me
i) Isn’t it Romantic?
04 – Funky Blues

Personnel:
Charlie Shavers, Benny Carter, Charlie Parker, Johnny Hodges – alto sax
Flip Phillips, Ben Webster – tenor sax
Oscar Peterson – piano
Barney Kessel – guitar
Ray Brown – bass
J.C. Heard – drums

Recorded July, 1952; Los Angeles.

Quality: eac, flac, cue, log, artwork

Duke Ellington meets Coleman Hawkins {impulse!} “Analogue Productions”


Review by Scott Yanow (allmusic.com)

This CD documents a historic occasion. Although Coleman Hawkins had been an admirer of Duke Ellington’s music for at least 35 years at this point and Ellington had suggested they record together at least 20 years prior to their actual meeting in 1962, this was their first (and only) meeting on record. Although it would have been preferable to hear the great tenor performing with the full orchestra, his meeting with Ellington and an all-star group taken out of the big band does feature such greats as Ray Nance (on cornet and violin), trombonist Lawrence Brown, altoist Johnny Hodges, and baritonist Harry Carney. High points include an exuberant “The Jeep Is Jumpin’,” an interesting remake of “Mood Indigo,” and a few new Ellington pieces. This delightful music is recommended in one form or another.

Tracks:
01 – Limbo Jazz
02 – Mood Indigo
03 – Ray Charles’ Place
04 – Wanderlust
05 – You Dirty Dog
06 – Self Portrait (Of the Bean)
07 – The Jeep is Jumpin’
08 – The Ricitic

Personnel:
Duke Ellington – piano
Coleman Hawkins – tenor sax
Ray Nance – cornet & violin
Lawrence Brown – trombone
Johnny Hodges – alto sax
Harry Carney – baritone sax & bass clarinet
Aaron Bell – bass
Sam Woodyard – drums

Originally released on August 18, 1962

Quality: eac, flac, cue, log, artwork