Count Basie – Basie Jam {Pablo} “Analogue Productions”


Review from ~cduniverse.com
This 1973 recording, the first of two Count Basie albums for the Fantasy label highlighting impromptu jam sessions, is something of a musical party. Heard here with longtime pals Eddie “Lockjaw” Davis, Harry “Sweets” Edison, and others, the Count performs a set of bluesy originals. Basie and company alight in a variety of musical dialogs-joyous and heartrending, playful and stalwart. As one might expect, each player rises to the occasion. And then some. There can be little doubt that Basie’s marvelous sensitivity as an accompanist catalyzes the fine soloing on this album. “One-Nighter” hints at least twice at how invigorating it can be to play with Basie. The first instance occurs when tenor-man Zoot Sims takes over from the organ, exacting a phrase of perfect, rounded beauty. A second occurs when Edison spreads a single recurring melodic figure across a full chorus, while Basie’s organ wheezes unobtrusively in the background. A soulful and foot-stomping album, “Basie Jam” accurately represents the late swing icon in his mature years.

Tracklist:
01. Doubling Blues (07:01)
02. Hanging Out (09:34)
03. Red Bank Blues (09:05)
04. One-Nighter (11:45)
05. Freeport Blues (11:44)

Personnel:
Count Basie – piano, organ
Irving Ashby – guitar
J.J. Johnson – trombone
Harry “Sweets” Edison – trumpet
Eddie Davis, Zoot Sims – tenor sax
Ray Brown – bass
Louie Bellson – drums

Recorded December 10, 1973

Label: Pablo – “Analogue Productions” Edition
Year: 1995
Genre: Jazz
Style: Mainstream, Blues
Total Time: 49:09

Quality: eac, flac, cue, log, scans (cover+inside+tray+CD)

Oscar Peterson + Harry “Sweets” Edison + Eddie “Cleanhead” Vinson {Pablo}


Review by Scott Yanow (allmusic.com)
During Nov. 12-14, 1986, pianist Oscar Peterson recorded three albums worth of material for Norman Granz’s Pablo label. This particular CD features the great pianist with his quartet (bassist Dave Young, drummer Martin Drew and guest guitarist Joe Pass) along with trumpeter Harry “Sweets” Edison and altoist Eddie “Cleanhead” Vinson. The strictly instrumental set has many fine solos on appealing tunes such as “Stuffy,” “Broadway” and the lengthy blues “Slooow Drag.” This boppish session gave Vinson a rare chance to really stretch out and he was up for the challenge.

Tracklist:
01. Stuffy (09:14)
02. This One’s for Jaws (04:54)
03. Everything Happens to Me (04:37)
04. Broadway (05:14)
05. Slooow Drag (10:36)
06. What’s New (04:28)
07. Satin Doll (07:29)

Personnel:
Oscar Peterson – piano
Harry “Sweets” Edison – trumpet
Eddie “Cleanhead” Vinson – alto saxophone
Joe Pass – guitar
Dave Young – bass
Martin Drew – drums

Recorded in Hollywood, CA; November 12, 1986.

Label: Pablo
Year: 1987
Genre: Jazz
Style: Mainstream, Bop
Total Time: 46:31

Quality: eac, flac, cue, log, artwork

Barney Kessel – To Swing or Not to Swing {Contemporary}[OJC]


Review by Scott Yanow (allmusic.com)

Guitarist Barney Kessel’s string of recordings for Contemporary in the 1950s included some of the finest work of his career. The unusual repertoire on this set — which includes “Louisiana,” “Indiana,” and “12th Street Rag,” along with four Kessel originals and more usual standards — would by itself make this bop/cool set noteworthy. Add to that a very interesting lineup of players (trumpeter Harry “Sweets” Edison, Georgie Auld or Bill Perkins on tenor, pianist Jimmy Rowles, the rhythm guitar of Al Hendrickson, bassist Red Mitchell, and Shelly Manne or Irv Cottler on drums) and some excellent showcases for Kessel, and the overall result is a CD highly recommended to fans of straight-ahead jazz.

Tracks:
01 – Begin the Blues
02 – Louisiana
03 – Happy Feeling
04 – Embraceable You
05 – Wail Street
06 – Indiana
07 – Moten Swing
08 – Midnight Sun
09 – Contemporary Blues
10 – Don’t Blame Me
11 – 12th Street Rag

Personnel:
Barney Kessel – guitar
Harry “Sweets” Edison – trumpet
Georgie Auld, Bill Perkins – tenor sax
Jimmy Rowles – piano
Al Hendrickson – rhythm guitar
Red Mitchell – bass
Irv Cottler, Shelly Manne – drums

Recorded in Los Angeles; March 28 and July 26, 1955.

Quality: eac, flac, cue, log, artwork