Grant Green – Latin Bit {Blue Note}[RVG]


Review by Scott Yanow (allmusic.com)

Grant Green, being known mainly as a soul-jazz guitarist, eventually gravitated into the popular boogaloo sound, a derivation of Latin music. The Latin Bit is the natural bridge to that next phase, though a bit premature for most in 1961-1963, even relative to the subsequent bossa nova craze. Pianist Johnny Acea, long an underrated jazzman, is the nucleus of this session, grounding it with witty chops, chordal comping, and rhythmic meat. The Latino rhythm section of drummer Willie Bobo and conga player Carlos “Patato” Valdes personify authentic, seasoned spice, while at times the chekere sound of Garvin Masseaux makes the soup too thick. At its collective best, the group presents a steady, serene, and steamy “Besame Mucho” and the patient, slow, slinky, sultry “Tico Tico.” Just a small step below is a classy take on Charlie Parker’s “My Little Suede Shoes,” a premier jazz bebop (emphasis) tune with a Latin undertow and Green’s tiniest staccato phrases, slightly marred by the overbearing constant chekere, but still classic. “Mambo Inn” is played inaccurately, but forgivable. “Mama Inez” ranks high for its calypso-infused happy feeling and wry stop-start lines. The straight-ahead hard bopper “Brazil” and lone soul-jazz tune, “Blues for Juanita,” display the single-note acumen that made Green’s style instantly recognizable. Tacked on the end are two selections with pianist Sonny Clark and tenor saxophonist Ike Quebec. While Clark is not known for Latin or soul-jazz, he’s quite good, while Quebec, who emphasized Brazilian rhythms in the last years of his life, plays hip secondary harmonies on the bossa nova-flavored “Granada,” but is in the complete background and a non-factor on the pop tune “Hey There.” This CD always yielded mixed results for staunch fans of Green, but a revisit shows it to be a credible effort, even if slightly flawed in part.

Tracks:
01 – Mambo Inn
02 – Besame Mucho
03 – Mama Inez
04 – Brazil
05 – Tico Tico
06 – My Little Suede Shoes
07 – Blues for Juanita
08 – Grenada
09 – Hey There

Personnel:
Grant Green – guitar
Ike Quebec – tenor sax (#8 & 9)
Johnny Acea (#1-7), Sonny Clark (#8 & 9) – piano
Wendell Marshall – bass
Willie Bobo – drums
Carlos “Patato” Valdes – congas
Garvin Masseaux – chekere (#1-6)

Recorded on April 26 (#1-7) and September 7 (#8 & 9), 1961
at the Van Gelder Studio, Englewood Cliffs, New Jersey.

Quality: eac, flac, cue, log, artwork

Ike Quebec – Bossa Nova, Soul Samba {Blue Note} “Analogue Productions”


Review by Scott Yanow & Thom Jurek (allmusic.com)

This was veteran tenor saxophonist Ike Quebec’s final recording as a leader. It was cut in October 1962 and produced by Alfred Lion a little more than three months before the saxophonist’s death. Bossa Nova Soul Samba was recorded and released during the bossa nova craze, as Brazilian music was first brought to the attention of pop listeners via Stan Getz and Charlie Byrd’s smash hit with Tom Jobim’s “Desafinado,” on their Jazz Samba record for Verve in February. After that, seemingly everyone was making a bossa nova record. Quebec’s effort is a bit unusual in that none of the musicians (guitarist Kenny Burrell, bassist Wendell Marshall, drummer Willie Bobo, and percussionist Garvin Masseaux) was associated with Brazilian (as opposed to Afro-Cuban) jazz before this, and that there isn’t a single tune written by Jobim on the set. Quebec emphasizes warm, long tones (reminiscent of Coleman Hawkins in a romantic fashion), and his sidemen play light and appealing but nonetheless authoritative bossa rhythms. Standout tracks here include Burrell’s own “Loie,” which opens the disc, “Goin’ Home,” based on a tune by classical composer Antonin Dvor├ík and arranged by Quebec — he does the same with “Liebestraum” two tunes later — and the stunning “Favela,” by the crack composing team of Joraci Camargo and Heckel Tavares. The result is high-quality melodic Brazilian dance music with Burrell shining in particular. The pleasing program concludes with three previously unissued alternate takes on the numerous CD reissues by Blue Note.

Tracks:
01 – Loie
02 – Lloro tu Despedida
03 – Goin’ Home
04 – Me’n You
05 – Liebestraum
06 – Shu Shu
07 – Blue Samba
08 – Favela
09 – Linda Flor
10 – Loie (alternate)
11 – Shu Shu (alternate)
12 – Favela (alternate)

Personnel:
Ike Quebec – tenor sax
Kenny Burrell – guitar
Wendell Marshall – bass
Willie Bobo – drums
Garvin Masseaux – chekere

Originally released in 1962

Quality: eac, flac, cue, log, artwork