McCoy Tyner Trio – Inception {impulse!} “Analogue Productions”


Review by Alexander Gelfand ~allmusic.com
Those familiar with the dense, percussive style that pianist McCoy Tyner has cultivated since the 1970s onwards may be surprised by what they hear on Inception. Like Reaching Fourth and Nights of Ballads and Blues, this album gives listeners the chance to hear what a very young Tyner sounded like outside the confines of the classic John Coltrane quartet of the early ’60s; it reveals a lyrical approach to jazz piano that seems a far cry from Tyner’s mature style. The choice of material is fairly evenly split between modal pieces like “Inception” and more harmonically involved tunes like “Speak Low,” and the pianist’s treatment of both demonstrates the extent to which his early work was rooted in bebop. Tyner had yet to develop the massive orchestral sound and highly distinctive vocabulary of modal licks that would mark his later style, and throughout this album he spins dizzyingly long and singing lines with an exquisitely light touch. The irresistible rush of forward momentum that he maintains on tracks like “Effendi” and “Blues for Gwen” is breathtaking, and there is an exuberant, almost athletic quality to much of his solo work. Bassist Art Davis and drummer Elvin Jones provide superb accompaniment throughout, and they lay a solid rhythmic foundation for Tyner’s sparkling melodic flights. The pianist’s penchant for drama, which asserts itself more strongly in his later work, is on brief display in the original ballad “Sunset”; his skills as an arranger, though evident on several tracks, are perhaps best illustrated by the intricate contrapuntal treatment of “There Is No Greater Love.”

Tracklist:
01. Inception (4:28)
02. There is No Greater Love (6:20)
03. Blues for Gwen (4:26)
04. Sunset (4:41)
05. Effendi (6:39)
06. Speak Low (6:22)

Personnel:
McCoy Tyner – piano
Art Davis – bass
Elvin Jones – drums

Recorded January 10, 1962

Genre: Jazz
Style: Post Bop, Piano Trio
Label: impulse! / Analogue Productions
Year: 2011
Time: 32:56

Quality-1: flac (tracks, eac, cue, log) + full scans
Quality-2: mp3@320 + full scans

Ernestine Anderson – My Kinda Swing {Mercury}


Review by Ken Dryden (allmusic.com)

Ernestine Anderson was 32 years old at the time of this 1960 session, not long before her career inexplicably fell into the doldrums. This album finds her in great form, supported by a cast of musicians including Clark Terry, Hank Jones, Yusef Lateef, Ernie Royal, Frank Rehak, and Kenny Burrell, with terrific arrangements by Ernie Wilkins. She achieves the perfect balance in her interpretation of “Trouble Is a Man,” a masterful ballad written by Alec Wilder, and she’s clearly in her element in the hard-rocking blues “See See Rider.” Terry’s striking trumpet almost provides a contrasting vocal alongside Anderson during “All My Life,” while her understated approach to a quick run through “It Don’t Mean a Thing (If It Ain’t Got That Swing)” showcases Jones and Burrell. Lateef’s oboe adds to the exotic flavor of “Lazy Afternoon.”

Tracks:
01 – My Kinda Love
02 – Trouble is a Man
03 – See See Rider
04 – Moonlight in Vermont
05 – Land of Dreams
06 – Black Moonlight
07 – All My Life
08 – Mound Bayou
09 – I’ll Never Be the Same
10 – It Don’t Mean a Thing (if it Ain’t Got That Swing)
11 – Lazy Afternoon
12 – They Didn’t Believe Me

Personnel:
Ernestine Anderson – vocals, with Ernie Wilkins’s Orchestra including:
Ernie Royal, Clark Terry – trumpet
Frank Rehak – trombone
Yusef Lateef – tenor sax, flute, oboe
Tate Houston – baritone sax
Mac Ceppos – violin
Hank Jones – piano
Kenny Burrell – guitar
Art Davis – bass
Willie Rodriguez – percussion
Charlie Persip – drums
Ernie Wilkins – arranger & conductor

Recorded late 1960 in New York City.

Quality: eac, flac, cue, log, scans