Gene Ammons & Sonny Stitt – Boss Tenors in Orbit! {Verve}


Review by Michael G. Nastos (allmusic.com)

Though Gene Ammons and Sonny Stitt were the premier twin towers of jazz tenor sax bar none, they also had great mutual respect for their distinctly different styles. The soulful Ammons and the bop-oriented Stitt meshed well whether playing standards, jamming on familiar melodies, or in ballad form. This recording sees them a bit restrained, teamed with the brilliant organist Don Patterson, the totally obscure guitarist Paul Weeden, and the great drummer Billy James. There’s a schism in terms of the stereo separation as each saxophonist gets his own channel, but on occasion they do play together, just not all that much. Some longer cuts allow Patterson to loosen up and take charge, but he is in the main an accompanist on this date from 1962. There’s no real battling for turf here, while one-upmanship is redacted as the two take turns with nary a hint of egotism. Stitt switches to alto in contrast, and the two saxophonists play together on the good swinger “Walkin’,” always a jam vehicle but shortened here, with the basic melody played only one time through, with Ammons adding a bit of harmony to the proceedings. They trade shorter phrases on “Why Was I Born?,” as Stitt goes off on a flurry of bebop notes. Where “John Brown’s Body” is quintessential soul-jazz at its primal best, they stretch out on the ten-minute jam “Bye Bye Blackbird,” with Stitt first out of the batters’ box and Ammons hitting for extra bases to drive his bandmate home. Where programming doesn’t really matter on a CD (you can do that on your own), the leadoff track — strangely enough — is downtempo, hardly something to send anyone into orbit. “Long Ago and Far Away” is a ballad feature, first for Ammons and then Stitt, where the stereo effect is in full flight as the two go back and forth, with Patterson’s sweet, swinging, and soulful B-3 languishing in the background. While not an out-and-out knock-down, drag-out event like their other recordings, this is still one of too few magical efforts with Ammons and Stitt together. Those who crave the live cutting sessions that made jazz very exciting in the early ’60s might also consider this tamer studio effort. [The Deluxe Edition contains no additional tracks from the original issue, but there is a detailed booklet and double-fold cardboard container.]

Tracks:
01 – Long Ago and Far Away
02 – Walkin’
03 – Why Was I Born?
04 – John Brown’s Body
05 – Bye-Bye, Blackbird

Personnel:
Gene Ammons, Sonny Stitt – tenor & alto saxophone
Don Patterson – organ
Paul Weeden – guitar
Billy James – drums

Recorded February 18, 1962 at Van Gelder Recording Studio,
Englewood Cliffs, New Jersey.

Quality: eac, flac, cue, log, artwork

Sonny Stitt – Sits in with the Oscar Peterson Trio {Verve}


Review by Review by Scott Yanow (allmusic.com)

This CD combines a complete session that Sonny Stitt (doubling on alto and tenor) did with the 1959 Oscar Peterson Trio (which includes the pianist/leader, bassist Ray Brown, and drummer Ed Thigpen) and three titles from 1957 with Peterson, Brown, guitarist Herb Ellis, and drummer Stan Levey. The music very much has the feel of a jam session and, other than a themeless blues, all of the songs are veteran standards. Highlights of this fine effort include “I Can’t Give You Anything But Love,” “The Gypsy,” “Scrapple from the Apple,” “Easy Does It,” and “I Remember You.” Lots of cooking music.

Tracks:
01 – I Can’t Give You Anything But Love
02 – Au Privave
03 – The Gypsy
04 – I’ll Remember April
05 – Scrapple from the Apple
06 – Moten Swing
07 – Blues for Pres, Sweets, Ben & all the Other Funky Ones
08 – Easy Does It
09 – I Didn’t Know what Time it Was
10 – I Remember You
11 – I Know that You Know

Personnel:
Sonny Stitt – alto & tenor saxophone
Oscar Peterson – piano
Herb Ellis – guitar
Ray Brown – bass
Ed Thigpen, Stan Levey – drums

Recorded May 18, 1959 (tracks 1-8); October 10, 1957 (tracks 9-11)

Quality: eac, flac, cue, log, artwork