Louis Armstrong – Master of Jazz·Live in Chicago, 1962 {Storyville}[MFSL]


Review by Steven McDonald (allmusic.com)
A wonderful artifact, this is a prime slice of the latter-day Satchmo with a small all-stars band working through a relatively typical set. The performance ranges from solid to excellent, with the occasional odd flub (such as the uncertain return after Danny Barcelona’s first drum solo on “Basin Street Blues”), but the quality of the recording is the key element. The Mobile Fidelity gold CD edition adds three tracks to the Storyville original, and provides a clear, uncluttered sound field with excellent separation. The resulting album is a treat to hear.

Tracklist:
01. When it’s Sleepy Time Down South (02:44)
02. Indiana (04:21)
03. Give Me a Kiss to Build a Dream On (05:37)
04. The Bucket’s Got a Hole in It (03:32)
05. Tiger Rag (01:17)
06. Mack the Knife (03:17)
07. Blueberry Hill (03:18)
08. When the Saints (03:50)
09. Ole Miss (04:03)
10. When I Grow Too Old to Dream (04:17)
11. Basin Street Blues (07:08)
12. High Society Calypso (05:01)
13. C’est Si Bon (03:28)
14. La Vie En Rose (04:59)
15. The Faithful Hussar (05:25)
16. Once in a While (02:02)
17. When it’s Sleepy Time Down South [instrumental] (02:04)

Personnel:
Louis Armstrong – trumpet, vocals
Trummy Young – trombone
Joe Darensbourg – clarinet
Billy Kyle – piano
Billy Cronk – bass
Danny Barcelona – drums

Recorded August 1, 1962; Chicago

Label: Storyville – MFSL Edition
Year: 1997
Genre: Jazz
Style: Vocal Jazz, Dixieland, New Orleans
Total Time: 66:22

Quality: eac, flac, cue, log, artwork

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Louis Armstrong meets Oscar Peterson {Verve} “Silver Collection”


Review by Review by Michael G. Nastos (allmusic.com)

By 1957, hard bop was firmly established as the jazz of now, while pianist Oscar Peterson and his ensemble with bassist Ray Brown and guitarist Herb Ellis were making their own distinctive presence known as a true working band playing standards in the swing tradition. Louis Armstrong was more recognizable to the general public as a singer instead of the pioneering trumpet player we all know he was. But popularity contests being the trend, Armstrong’s newer fans wanted to hear him entertain them, so in retrospect it was probably a good move to feature his vocalizing on these tracks with Peterson’s band and guest drummer Louie Bellson sitting in. The standard form of Armstrong singing the lead lines, followed by playing his pithy and witty horn solos based on the melody secondarily, provides the basis for the format on this charming but predictable recording. What happens frequently is that Armstrong and Peterson play lovely ad lib vocal/piano duets at the outset of many tunes. They are all songs you likely know, with few upbeat numbers or obscure choices, and four extra tracks tacked onto the CD version past the original sessions. In fact, it is the familiarity of songs like the midtempo “Let’s Fall in Love,” with Armstrong’s gravelly and scat singing, and his marvelous ability to riff off of the basic songs that make these offerings endearing. A classic take of “Blues in the Night” is the showstopper, while choosing “Moon Song” is a good, off the beaten path pick as the trumpeter plays two solo choruses, and he leads out on his horn for once during the slightly bouncy, basic blues “I Was Doing All Right.” Some extremely slow tunes crop up on occasion, like “How Long Has This Been Going On?,” an atypically downtempo take of “Let’s Do It,” and “You Go to My Head,” featuring Peterson’s crystalline piano. Liner note author Leonard Feather opines that this is Armstrong’s first attempt at the latter tune, and compares it historically to Billie Holiday. There are the dependable swingers “Just One of Those Things,” “I Get a Kick Out of You,” and “Sweet Lorraine” with Peterson at his accompanying best; a ramped-up version of the usually downtrodden “Willow Weep for Me”; and a duet between Armstrong and Ellis on the sad two-minute ditty “There’s No You.” All in all, it’s difficult to critique or find any real fault with these sessions, though Peterson is subsumed by the presence of Armstrong, who, as Feather notes, really needs nobody’s help. That this was their only collaboration speaks volumes of how interactive and communal the session really was, aside from the music made being fairly precious.

Tracks:
01 – That Old Feeling
02 – Let’s Fall in Love
03 – I’ll Never Be the Same
04 – Blues in the Night
05 – How Long Has This Been Going On
06 – I Was Doing All Right
07 – What’s New
08 – Moon Song
09 – Just One of Those Things
10 – There’s No You
11 – You Go to My Head
12 – Sweet Lorraine
13 – I Get a Kick Out of You
14 – Makin’ Whoopee
15 – Willow Weep for Me
16 – Let’s Do It (Let’s Fall in Love)

Personnel:
Louis Armstrong – vocals, trumpet
Oscar Peterson – piano
Herb Ellis – guitar
Ray Brown – bass
Louis Bellson – drums

Tracks 1-12, stereo, recorded in Chicago; October 14, 1957
Tracks 13-16, mono, recorded in Los Angeles; July 31, 1957

Quality: eac, flac, cue, log, artwork