Anita O’Day – All the Young Sad Man {Verve}

Review by Richard S. Ginell (

When Creed Taylor took over the production reins from Norman Granz when the latter sold Verve to MGM, he continued to place Anita O’Day in imaginative settings that challenged her creativity.
On this LP, she was served with a collection of brilliant, difficult big-band charts, courtesy of a 27-year-old emerging master named Gary McFarland who mixed instrumental voices and tempo changes in querulous, turbulent combinations. Even a truly odd pick like “You Came a Long Way From St. Louis” is enlivened with sprouting shafts of outlaw muted brass and reeds. Another highlight is the contemporary update of O’Day’s old flag-waver with the Krupa band, “Boogie Blues,” complete with one of her patented flip upturned glissandos at the end. This album must have been a traumatic experience for O’Day, for as she tells the story, the tapes of McFarland’s arrangements arrived by mail from New York and she had to overdub her vocals in an empty studio in Los Angeles. Yet it is a tribute to O’Day’s abilities that she makes it all sound easy, exhibiting a freedom in phrasing and improvising that is extraordinary even for her.

01 – Boogie Blues
02 – You Came a Long Way from St. Louis
03 – I Want to Sing a Song
04 – A Woman Alone With the Blues
05 – The Ballad of All the Sad Young Men
06 – Do Nothin’ Till You Hear from Me
07 – One More Mile
08 – Night Bird
09 – Up State
10 – Senor Blues

Anita O’Day – vocals, with The Gary McFarland Orchestra.

Recorded in 1961.

Quality: eac, flac, cue, log, artwork